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The Paranoyds are Southern California DIY rock royalty. Fueled by the fiery energy of their live shows paired with raw lyricism and subtle societal commentary, The Paranoyds are unafraid and unapologetically in perpetual pursuit of a good time. The four-piece is made up of Laila Hashemi (keyboardist-vocals), Lexi Funston (guitars/vocals), Staz Lindes (bass/vocals) and David Ruiz (drums, vocals) who together masterfully blend light-hearted playfulness with sharp sincerity over fuzzy guitar, dreamy vocals and punchy, punky rock-n-roll.

Talk, Talk, Talk, the sophomore album from The Paranoyds gives the band space to expand, evolve and above all, have fun. Over 11 tracks, the band experiments with sounds that span an eclectic array of genres–from jazz, to lo-fi punk-rock, to groovy R&B–that melt together showcasing the innovative range of The Paranoyds.

In the kitchen of the Byron Bay home of Winston McCall stands a refrigerator, adorned on one side by a quote from Tom Waits: “I want beautiful melodies telling me terrible things.”

This, the PARKWAY DRIVE vocalist says, is a pretty good summation of him-self. It holds true, too, as one of the guiding principles behind Darker Still, the seventh full-length album to be born of this picturesque and serene corner of north-eastern NSW, Australia, and the defining musical statement to date from one of modern metal’s most revered bands.

Darker Still, McCall says, is the vision he and his bandmates – guitarists Jeff Ling and Luke Kilpatrick, bassist Jia O’Connor and drummer Ben Gordon – have held in their mind’s eye since a misfit group of friends first convened in their parents’ basements and backyards in 2003. The journey to reach this moment has seen Parkway evolve from metal underdogs to festival-headlining behemoth, off the back of close to 20 gruelling years, six critically and commercially acclaimed studio albums (all of which achieving Gold status in their home nation), three documentaries, one live album, and many, many thousands of shows.

While Darker Still remains irrefutably PARKWAY DRIVE, it finds the band sonically standing shoulder to shoulder with rock and metal’s greats – Metallica, Pantera, Machine Head, Guns N’ Roses – as much as it does their metalcore contemporaries. “I wanted a classic guitar tone for this record,” explains Ling, who credits much of his inspiration to the connection his riffs have with a crowd in a live setting. 

Emerging from the darkness of the past few years, this is the true face of PARKWAY DRIVE: redefined and resolute, focused in mind and defiant in spirit.

Eleventh album from the Juno-nominated Burlington, ON post-hardcore and emo band that has sold 1.2M+ albums worldwide. Produced by Sam Guaiana [The Devil Wears Prada, Between You & Me, Like Pacific]. The lead single "It's Over" streamed upon release on NME. Further praise from HM Magazine, Loudwire, Rock Sound. Eight of Silverstein's albums have charted in the United States, including A Beautiful Place to Drown [2020, #5 Billboard "Hard Rock Albums" "#7 "Alternative Albums"], which was nominated for "Rock Album of the Year" at the Juno Awards. They've toured with Good Charlotte, Blessthefall, August Burns Red, Silent Planet, Four Year Strong. Released independently via Australia's leading heavy music label UNFD.

Capitol Records Nashville presents multiplatinum hitmaker Jon Pardi's fourth studio album, Mr. Saturday Night. The 14-tracks include the singles, "Last Lonely Night," and "Fill `Er Up." Jon says about the album, "A lot of time was spent living with the songs on this record. There is more life experience on Mr. Saturday Night than any album I've released before." It was produced by Jon with Bart Butler and Ryan Gore, the same team behind his award-winning 2019 album, Heartache Medication.

This album was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests & riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilisation of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.

Drift, their fifth studio album sees PIANOS BECOME THE TEETH taking another sonic step forward to craft a musical statement that truly transcends genres.

For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day’s recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date.

Per front man Kyle Durfey, “Something that we really took away from this experience was just the connection we had together. We produced the record ourselves with our longtime friend/collaborator/engineer Kevin Bernsten who recorded our first two records.” The recordings that the band created using innovative recording techniques, recording 100% analog are sonically transportive and certain to mystify and inspire generations of recording artists. All the echoes were made with old echoplexes and tape delay, which made for a really organic record. With Bersten’s help the band was able to take some of the weirder and more ambitious ideas they had and turned them into reality making this a fantastic album for immersive headphone listening.

25-year-old GRAMMY-nominated artist Marcus King prepares to release his new album, Young Blood, produced by Dan Auerbach of The Black Keys via Rick Rubin's American Recordings/Republic Records. He has toured with The Marcus King Band for over 10 years, as well as tours with Chris Stapleton, Greta Van Fleet, and Nathanial Rateliff. He’s released 3 LPs with The Marcus King Band before his GRAMMY-nominated 2021 solo debut LP, El Dorado. Indie Exclusive Yellow LP.

2022 release, the ninth album from the Las Vegas-based metal band. Five Finger Death Punch has amassed over 8 billion streams and 3 billion video views to date and have sold over one million tickets between 2018 and 2020 alone. Afterlife features the singles 'Welcome to the Circus', 'IOU', and the title track.

Chaos in Bloom, arriving August 12th, 2022 via Warner Records. Marking the first album of their career to be produced by frontman John Rzeznik, the record finds the band at the top of their game and continuing to constantly evolve just as they have for nearly four decades together. Consisting of 10 tracks, Chaos in Bloom is an album of biting sarcasm, stadium-ready choruses, and the type of spear-sharp songwriting that’s led them to becoming one of the most influential alternative rock groups of all time.

While Chaos in Bloom isn’t necessarily an album borne out by the pandemic, many of the tracks reflect on all of the things in daily life that became amplified while everyone was isolated from one another and sequestered at home. “Chaos in Bloom reminded us how special this whole thing is and to cherish the relationships that we have together,” says Rzeznik about the album. “Where we’ve been, and where we’re going.” Oscillating from personal reflections on the state of the world to societal commentaries, the songs on the album grapple with observations about our dystopian modernity while searching for optimism and pushing for a more empathetic world. “I’ve been trying to have a relationship with the bigger picture,” adds bassist and songwriter Robby Takac, “and refining happiness and what it means from that perspective.”

To record the album, Rzeznik and Takac retreated to Dreamland Studios just outside Woodstock, New York during the pandemic. An environment as remote as it is rich with historic rock music roots, the location proved to be the perfect setting for clearing the noise and creating such a record, which carries a true live quality that the band captured by blending vintage instruments and gear with new-age recording processes and techniques.

Following his triumphant performances at the 2022 Coachella Music and Arts Festival, Danny Elfman delivers Bigger.Messier., an ambitious double-album collection of remixed and reimagined tracks from his highly acclaimed Big Mess album. This sprawling, 23 track collection (available on 2 LP or 2 CD) features tracks reworked by some of the most groundbreaking and subversive artists around today. Bigger.Messier. views the Grammy and Emmy Award-winning composers songs through the lens of luminaries from diverse sides of the music business, including Trent Reznor, Iggy Pop, Squarepusher, and Ghostemane. Elfman once again has achieved a kind of artistic liberation on the record that had been eluding him for decades, and connecting him to brand new audience. Born and raised in southern California, Elfman began his career as part of a surrealist, avant-garde musical theater troupe known as The Mystic Knights of Oingo Boingo. The group would eventually morph into the critically acclaimed rock band Oingo Boingo, whose high-energy performances and genre-bending sound garnered them a fanatically devoted cult following in the 1980s and ’90s. Among the group’s early fans was fledgling director Tim Burton and Paul Reubens (aka Pee-wee Herman), who enlisted Elfman to score their first feature film, Pee-wee’s Big Adventure. The collaboration would prove to be the start of a long and fruitful partnership for Elfman and Burton, with Elfman going on to score a string of iconic Burton features like Batman, Beetlejuice, Big Fish, Edward Scissorhands, and The Nightmare Before Christmas. To date, Elfman has scored more than 100 films.

After three studio albums and over a decade deep into the music game, THE INTERRUPTERS deliver their new album, In The Wild. This 14-track opus is the real deal; it’s a story of survival, a story of resilience, by a band being bold and rejecting the easy impulses of simply repeating what’s worked before. Together during lockdown, Aimee Interrupter, partner and guitarist Kevin Bivona, and his younger twin brothers, Jesse (drums) and Justin (bass), decided to put idle hands to work. After building a home studio in their garage together, Kevin stepped up and took charge of production duties to become “the accountable one” this time around. The record took shape in an unforced and organic fashion, and the recording process was evidently a fun one, which is reflected in the sound of the album, gliding across a spectrum of breathless punk rock, doo-wop, gospel, dancehall, and the band’s customary nods to the lineage of two-tone. It’s further evidenced in the uplifting spirit and the glittering rollcall of guests (Tim Armstrong, Rhoda Dakar, Hepcat, The Skints) involved too. Thanks to the cocoon of the intimate environment they’d built and relaxed working practices, the results made for the most personal Interrupters album to date, as well as being the one all four feel most connected to.

The follow-up to their 2018 breakthrough album, Fight The Good Fight, which spawned multiple singles including “She’s Kerosene”, with over 50 Million streams to date. This smash-hit sent the band to the top of the radio charts and across the globe, playing live with everyone from Dropkick Murphys to Green Day. It was Spring 2020 as they were headed out on an 8-week Hella Mega stadium tour in support of Green Day, Weezer, and Fall Out Boy, when like the rest of the world, the band’s plans went kaput. The forced time at home gave them a period of much-needed rest, followed by an injection of creative energy that led the band to write over 80 songs, curate a live album and documentary film about their lives and their first trip to Japan. THE INTERRUPTERS will be back on the road starting this Spring, co- heading with Flogging Molly and touring through the remainder of 2022 and beyond.

GRAMMY® Award- nominated artist/producer/songwriter Maggie Rogers new album, Surrender, will be released via Capitol Records on July 29. Co-produced Kid Harpoon (Florence + the Machine, Harry Styles) and Rogers, Surrender is the follow-up to Heard It in a Past Life,Rogers’ massively beloved 2019 debut album, which entered Billboard’s Top Album Sales chart at No. 1 and debuted at No. 2 on the Billboard 200. Praised by the likes of NPR, The New York Times, Rolling Stone, Pitchfork, TIME Magazine, and many others, Heard It in a Past Life landed Rogers a nomination for Best New Artist and went on to amass over one billion combined global streams.

Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, and released by Third Man Records.

The Kooks sixth studio album, 10 Tracks To Echo in the Dark is a fresh sounding, electronic-tinged evolution of their iconic sound.

A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

A 7-song unreleased album from Neil Young and Crazy Horse, recorded at Toast studio in San Francisco in late 2000 and early 2001. It was shelved at the time and Are You Passionate was the next album Neil released. Different versions of 4 songs appeared on Are You Passionate, but the other 3 songs are completely unreleased (“Timberline”, “Gateway of Love” and “Standing In The Light). This is one of the legendary “lost” albums in Neil’s catalog.

The original soundtrack to Minions: The Rise of Gru promises another exciting installment in the Minions franchise. Produced by Jack Antonoff and filled to the brim with a star-studded list of artists, you can expect a very funky listening experience. Indie Exclusive Gru Blue 2 LP.

Sometimes, Forever, the immersive and compulsively replayable new Soccer Mommy full-length, cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album finds Sophie broadening the borders of her aesthetic without abandoning the unsparing lyricism and addictive melodies that made earlier songs so easy to obsess over. To support her vision Sophie enlisted producer Daniel Lopatin, whose recent credits include the Uncut Gems movie score and The Weeknd’s Dawn FM.

Meet the Moonlight, Jack Johnson’s eighth studio album and first full-length release in five years, was produced by Blake Mills and recorded in Los Angeles and Hawaii. The creation process marks a major artistic milestone from past work, taking shape from a one-on-one collaboration with Mills, and unveiling an intimate and highly experimental process that involved embedding Johnson’s elegantly stripped-back arrangements with enchanting sonic details. Indie Exclusive Silver LP on 180-gram vinyl.

Conan Gray has emerged as one of the pre-eminent pop superstars of his generation. After the commercial success of the global multi-platinum hits, “Heather” and “Maniac,” his music maintains its unflinching authenticity and originality. Gray’s debut album, Kid Krow, reached #5 on the Billboard 200, #1 on the Billboard Pop Albums chart, and was the biggest new artist debut of the year. Gray’s much anticipated sophomore album, SUPERACHE, is set for release on June 24, 2022.

Carrie Underwood - Denim & Rhinestones

Carrie Underwood will be releasing a brand new studio country album on June 10th called Denim & Rhinestones. The album includes 12 tracks including her latest hit single- "Ghost Story". Carrie is a true multi-format, multi-media superstar, spanning achievements in music, television, film, and as a New York Times bestselling author and successful entrepreneur. She has sold more than 66 million records worldwide, recorded 28 #1 singles (14 of which she co-wrote), and has seven albums that are certified Platinum or Multi-Platinum by the RIAA, all while continuing to sell out arena tours across North America and the UK.

40 oz. to Fresno is the highly anticipated 6th studio album by Joyce Manor. Produced by Rob Schnapf, this 9 song album is an honest, hard-hitting, post-emo, power pop masterpiece packed with the elevated writing and earnest delivery Joyce Manor is loved for.

Joyce Manor has toured extensively and their live show has been the driver behind the band’s success. They have made festival appearances at FYF Fest, Coachella, Riot Fest and since the release of their last studio album in 2018, the band has headlined NYC Central Park SummerStage, sold out two nights at the Palladium in LA, and sold out two matinee show at LA’s historic Union Station.

Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), Matt Ebert (bass), Neil Hennessy (new drummer, from The Lawrence Arms). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot, named after an apartment complex that Johnson would walk past every day. Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), and Million Dollars to Kill Me (2018).

On her sophomore album, S.G. Goodman brings a series of powerful vignettes to life, with a sound that builds off her Southern roots but ventures deeper into indie rock and punk. Teeth Marks is about what love actually is: its psychological and physical imprint, its light, and its darkness.

Jasmyn is the new solo project created by Jasmyn Burke, former singer-song- writer and frontwoman of the critically acclaimed Canadian band, Weaves. Having two JUNO nominations for Alternative Album of the Year and two SOCAN Songwriting Prize nominations, Burke has established herself as one of Canada’s most exciting and fresh voices.

With this new project, she has decided to use her own name, Jasmyn, to mark the start of exploring her own unique sound as a solo artist. Collaborating remotely with Los Angeles-based producer John Congleton (St. Vincent, Angel Olsen, Sharon Van Etten) on a body of work she had compiled over months of being in lockdown. Finally in the Spring of 2021, Jasmyn went to LA to record with Congleton, exploring themes of finding patterns in life and how to perhaps change them.  

On the general direction of her new album In the Wild, Jasmyn said, “This was written during the Fall of 2020; The world was feeling pretty heavy, and I felt myself wanting to write music that created a mood of happiness and space to grow. I feel like I have grown and changed as a person over the last few years and wanted to write songs that created a sense of confidence and well-being.”

With Weaves receiving worldwide support from the likes of Rolling Stone Magazine, NPR, Pitchfork, and more, Jasmyn is excited to share a new side of herself, perhaps her most honest and raw work to date.

Darius Rucker will be releasing his #1's on CD for the first time. It includes 10- #1 Hits that span over 10 years. It begins with "Don't Think I Don't Think About It" which was his first #1 and all of the way up to 2020 with his #1- "Beers and Sunshine". Darius has released 5 solo country albums on Capitol Records Nashville that have included 10 #1 Country Songs.

"Fusing elements of each of his early influences, from Joni Mitchell to Phoebe Bridgers, Zaidi is creating soundscapes that bring awareness of documenting the euphoric high-and-low feelings of youth." - Unpublished Magazine. "Reminds us of the Garden State soundtrack in all of it's closeness and acoustic guitar strumming. This one's terrific." - American Songwriter. '2013' is a sweeping nostalgic offering from Zaidi... emotive, lyrically dense reflections... pulling from folk touchstones." - Under The Radar. "Formerly lo-fi, now increasingly hi-fi future soul musician." - KEXP

As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for their new album, Dropout Boogie, in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach’s Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums.